Frédéric Neyrat Spectral Composition: on Spectral Music, Drone Metal, and Electronic Music
Frédéric Neyrat The Messianic Messing-Up
Achim Szepanski Ultrablack of Music
Holger Schulze Sonic Thanaticism. A Sensology of The Sonic Capital
Algorithmic Committee The Scream and the Sound of the Flesh
Marcus Schmickler&Julian Rohrhuber Politics of Frequency
Stefan Paulus Deterritorializations – Field Recordings, Recipes, Smooth Spaces and Body-without-Organs
Benjamin Noys Dead Detroit Lies Dreaming: Techno (Anti-) Accelerationism
Shintaro Miyazaki Don`t Forget to Change The Beat from Time to Time – About Counter-Raving
Thomas Brinkmann Nullen & Einsen
Bernd Herzogenrath in|human rhythms
Jose Rosales Bergsonian Science-Fiction: Deleuze, Eshun, and Thinking the Reality of Time
Zafer Aracagök Two Fragments about Rhythm and Nano-Fascism
Corry Shores/Meli̇ke Başak Yalçın From Rhythm to Glitch: Digital Deformation in Deleuze
Taylor Adkins/ Joseph Weissman Melody and Morphogenesis
Alessio Kolioulis Techno is the message / Reflections on the short circuits of the electronic music industry
Thomas Köner Ten Thousand Millions
Txgen Meyer Cosmoequational approaches to the production of vibrational matter
Gerriet Sharma Surrounded by Immersion - Means of Post-Democratic Warfare
Bill B. Wintermute
Book (including Compilation with 35 Artists/tracks) on NON/Mille Plateaux Release Date 2/2020
Alessio Kolioulis
Techno brings people together (and pushes them apart) – Is it still relevant to talk about techno music as an autonomous form of emancipatory politics? Techno collective Scan 7’s famous slogan ‘techno brings people together’ speaks of an era that has ceased to exist. With the end of rave culture, the electronic music scene demonstrates the opposite. The only way to re-connect with each other is perhaps a disconnection from social media.
Gerriet Sharma
The most successful advertising today convincingly takes on the qualities of real experience. These experiences may be concerts, multi-media events, games and VR-applications. Rose asks: From 3D to VR, the goal is to eliminate any barrier between person and experience. What if we could have an unmediated experience?
Frédéric Neyrat
In this essay, I don’t aim at analyzing a specific genre of music: my goal is rather to grasp a musical configuration encompassing musicians as different as Gérard Grisey, Sunn O ))), Thomas Köner, Chloé, Emptyset, or Bérangère Maximin. Paying attention to the spectral technique of composition, drone metal, and electronic music, the musical configuration I attempt to define obviously doesn't consider the full extent of contemporary music, but sheds some light on a Grundstimmung – a basic mood, a fundamental tone that, I argue, is at stake in crucial contemporary musical works.
Achim Szepanski
When non-frequency-politics listens to the clock, it does not hear the uniform tictic, tic, but it hears tic - toc - fuck the clock. Non-frequency-politics works with the Click, which is now to be understood as an inherent stress that falls on certainmetrics or beats, whereby each further beat is put under stress and this repetitive stress is the Click-Clock in the Sound - different possibilities of overlaying and concatenating Clicks, Pulses and Noises up to groupings of Beats, which in turn are distributed into unequal patterns.
more to come
Listen to Gianluca Iadema Aphàiresis (Full Album) / Mille Plateaux
Releases on MIlle Plateaux 1/2/3 2020
MP4 Teruyuki Kurihara. Frozen Dust
MP5 Automatisme. Alter-
MP6 Thomas Köner. Motus
MP7 John-Robin Bold
