Project for book & compilation: Ultrablackness of Music
When we look back it seems that Mille Plateaux was always dark. We never confirmed techno-utopism, accelerationalism or Eshuns afrofuturism. Rhythm, not speed was the term. As we wrote: »If Rhythm is distinct from metrics, we enter the field of non-frequency politics, ...
Der Beitrag Mille Plateaux – Ultrablackness of Music erschien zuerst auf non.copyriot.com.